An Interview with Ryan Huddleston for Performance & Backstage Systems
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Transcript Details
Full Transcript Below
Mike Dias:
Have you ever thought about all the people it takes to run a successful tour? Live sound reinforcement is much more than just the audio engineer. To understand the broader technician roles, I caught up with Ryan Huddleston — International Roadie for Michael Bolton and others — to talk about what really happens behind the scenes.
Ryan — thanks for talking with us. Who are you out with right now and what are you responsible for?
Ryan Huddleston:
Life gets busy working for Michael Bolton — about three years now and roughly fifty countries traveled. I maintain, program, and operate all computers, synthesizers, keyboards, and related MIDI/video equipment. I also oversee the horn section, piano, props, and help wherever needed.
Mike Dias:
We’ve profiled FOH and monitor engineers, but there’s a whole ecosystem behind a band’s sound. Let’s start with the computer technician role — what does that look like nightly?
Ryan Huddleston:
A computer tech ensures systems boot and function reliably — especially after international shipping. It includes software operation, audio/video workflows, system maintenance, troubleshooting, plug-ins, hardware, and connectivity.
Mike Dias:
How about Pro Tools operation?
Ryan Huddleston:
Recording is just the start. Sessions must be mixed, edited, formatted, and delivered. Playback acts like the production’s nervous system — click tracks, cues, MIDI changes — everything syncing live performance.
Mike Dias:
Backline programming specialist?
Ryan Huddleston:
Backline now includes digital systems — synths, drum machines, MIDI networks. Programming, troubleshooting, syncing backups — often done on days off or right before showtime.
Mike Dias:
You’ve mixed rock shows and lecture seminars. How different are they?
Ryan Huddleston:
Public speaking requires intense EQ discipline — one microphone must remain stable for hours. Each presenter demands recalibration. It’s psychologically taxing compared to band mixing.
Mike Dias:
Which gig is easier?
Ryan Huddleston:
Music feels easier. Technically both are manageable — psychology is the real challenge. Switching mindsets between high-profile personalities and physical labor requires adaptability.
Mike Dias:
How did you land these gigs?
Ryan Huddleston:
Preparation plus opportunity. I grew up around music, earned multiple degrees, toured early, and built trust through work ethic and reputation.
Mike Dias:
Tell us about your Tricknology training series.
Ryan Huddleston:
Eight DVDs teaching touring standards — instrument setup, repairs, cable work, troubleshooting — aimed at sharing knowledge so the community grows stronger.
Mike Dias:
Why share your secrets?
Ryan Huddleston:
Because collective knowledge strengthens the industry. I want others to succeed.
Mike Dias:
Thank you Ryan — see you on the road!
END OF TRANSCRIPT
Why This Page Exists & How to Contextualize this Transcript
(A Note for the Intrepid Human)
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