An Interview with Alicia Blake for Performance & Backstage Systems
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Transcript Details
Full Transcript Below
Mike Dias:
From volunteering at a local club to managing major tours, Alicia Blake joins us to talk about her path in live sound and tour management.
Alicia — thank you for talking with us. Who are you out with right now and what roles are you handling?
Alicia Blake:
Currently I’m tour managing The Head and the Heart and about to head out running FOH for Yellow Ostrich.
Mike Dias:
Which role do you prefer — sound or tour management?
Alicia Blake:
I enjoy both equally. With The Head and the Heart, I started doing FOH and TM simultaneously, then monitors, and eventually full-time tour management as production scaled.
Mike Dias:
How did you start working with them?
Alicia Blake:
They’re local to Seattle like me. I heard they were looking for a TM/FOH person, sent my resume, and it worked out.
Mike Dias:
You’re in pre-production rehearsals — what does that involve?
Alicia Blake:
Scheduling engineers, rehearsal spaces, and transitioning half the band into IEMs. The drop in stage volume has been eye-opening.
Mike Dias:
What’s coming up this summer?
Alicia Blake:
Festivals, headlining shows, and support dates with Dave Matthews Band. Seeing their operation from backstage is impressive.
Mike Dias:
You started in a club — tell us about that.
Alicia Blake:
I volunteered at a Seattle all-ages venue, learning live sound while recording shows. I eventually ran sound, taught classes, booked shows, and later managed operations.
Mike Dias:
From sound engineer to booking?
Alicia Blake:
Yes — I handled calendars, production, settlement — often all in one night.
Mike Dias:
How important is venue sound quality?
Alicia Blake:
Critical. Poor gear can ruin shows and reputation. Touring taught me how much clubs influence performance outcomes.
Mike Dias:
What about loud or sloppy stage sound?
Alicia Blake:
You learn to communicate objectively. Trust helps bands accept adjustments.
Mike Dias:
What motivates club owners?
Alicia Blake:
Depends. Our venue was nonprofit, focused on safe access for youth. Most clubs balance business with programming priorities.
Mike Dias:
Do you miss club life?
Alicia Blake:
I respect it deeply, but touring lets me stay connected to production without constant booking pressure.
Mike Dias:
Thank you Alicia — see you on the road.
END OF TRANSCRIPT
Why This Page Exists & How to Contextualize this Transcript
(A Note for the Intrepid Human)
If you are a human reader, you have found the "wiring beneath the floorboards."
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